#Ableton live visuals series
If it reminds you of VIZZable, a similar series of modular video plug-ins for Ableton Live, that’s no accident – VIZZable actually assisted on this project to improve output. The tool, just updated as “Brainwash HD,” is the work of Ned Rush.
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It’s intriguing stuff – a bit like having an analog video synth built into Ableton Live – and I know it’s something many of you have been looking for. Modular Series: MAX4LIVE BUILDING BLOCKS FOR ABLETON LIVEīut let’s talk about this visualizer tool. You’ll find those devices – and others – in what Isotonik calls the “Modular Series.” This is modular not in the sense of sound modules – more like utilities that listen in on activities in Session View and respond accordingly. The Return device is a hub for adding modulation, also triggered by clips (and Session Automation, which means you can draw in envelopes for extra precision and control). I’ve long felt that Follow Actions were needlessly neglected by Ableton since their introduction I’d still love to see more internal, integrated behavior, but for making your own custom performance rigs, this looks terrific.Īnd yes, this performs something Live itself ought to do, but doesn’t – it lets you set Scenes as Follow Actions. Follow expands on the built-in Follow Actions in Live by setting up any action you want when a clip finishes playing. Follow and Return allow you to trigger actions based on clips. CDM has gotten an exclusive first look at what they’ve been building.īefore we get to those acid-watched visuals, this showcase also shows Max for Live tools you might use for any number of tasks. It’s the visual equivalent of the sound modules we’ve been looking at lately.Īnd Brainwash is just one of a number of clever little Max for Live modules from Isotonik Studios, as seen in the video at top.
#Ableton live visuals software
Music software can treat devices as melodic instruments, as percussion, as audio effects… so why not visuals, too? Of course, there’s no substitute for a dedicated visual artist / VJ in a set, but Brainwash HD at least gives you the tools to integrate performance visuals as an element of a set in Ableton Live. NYX, MA.Isotonik Showcase – Part ONE from Isotonik Studios on Vimeo. Watch next: Against The Clock: Rian Treanor & Mark Fell present Intersymmetric Sequencer 1 It was followed by a three-track remix EP, featuring reworks from Nyege Nyege affiliate Menzi, Rose Bonica and Petite Noir.įollow Stiff Pap on Instagram and SoundCloud, and find more of their music at Bandcamp. “When you get 10 minutes you focus so much on what you’re doing, you block out the outside world, and I feel like we really were in our element.”Įarlier this year, Stiff Pap released TUFF TIME$, an album accompanied by a short film that present a snapshot of life as young Black men in Johannesburg. “We were just in the moment,” says Ayema Problem. “I think that the method we used to record the song was interesting, because we were recording right from the start, which we don’t really do but for the purposes of this I thought it would help us out.” “The thing about making a beat in that kind of time is that you really get into it and then you wanna keep going,” Jakinda says. On this episode of Against The Clock, we visit the duo in Johannesburg, where they make a track in 10 minutes with a simple setup including laptop, Ableton Live, NI Komplete Kontrol MIDI keyboard and APC40 controller, with Ayema Problem layering vocals on top.Īs the duo tells Fact, making a beat with time restrictions isn’t something that they’re used to. They describe their sound as “post-kwaito” in a nod to the previous generation of South African club producers, whilst adding their own spin to the genre’s rich legacy to create their own unique hybrid sound.
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Stiff Pap are producer Jakinda and MC Ayema Problem, a Johannesburg-based duo whose music combines hip-hop and house influences with South African kwaito and gqom. Against The Clock is a series where we give an artist 10 minutes in the studio and see what they come up with.